I worked for Trustpilot as their in-house motion designer/animator, creating animations to market new and existing product features.

I was provided scripts which I storyboarded, coming up with creative ideas to illustrate the text, and then animated in After Effects. The final videos were then adapted for social platforms and localised to 7 other languages.

To the right are some of the finished videos and some examples of the storyboards created for them.

MY CONTRIBUTION
- Concepts
- Illustration
- Animation

I was commissioned to create a stop-motion film for Tetley that communicated the quality of its tea blend and celebrated its geographical origins.

I developed the creative concept and visual approach, then created an animatic to plan the movement and timing of the sequence before bringing it to life through stop-motion photography. I oversaw the production from the initial setup and shoot through to post-production and final delivery.

The project involved two days of preparation, a full day of shooting and a further day in post-production, combining careful planning, precise animation and hands-on production to deliver a distinctive piece of branded content.

The finished film was warmly received by both the client and its audience, successfully bringing Tetley’s product story to life through an engaging, tactile visual approach.

MY CONTRIBUTION
- Art direction and design
- Photography and animation
- All post production

I created the animated versions of the new Marshmallow logo for use across all platforms, including website, app, social media and TV advertising.

The animations were produced in Adobe AfterEffects.

MY CONTRIBUTION
- Animation

I worked with 7 other illustrator/animators to create this lyric video for the Coldplay/Chainsmokers song ‘Something Just Like This’.

We were given a reference image and colour palette to work to, and then given a set of lines from the song to illustrate how we saw fit. We then animated them frame by frame using Photoshop. My work begins at 1:27s and end at 1:37s.

MY CONTRIBUTION
- Illustration
- Animation

I was asked to produce a video for social media that explained how the Honda hybrid engine worked. I was supplied with a technical description from one of their engineers and from that I then wrote a script, illustrated the main points, and animated them in the style of an educational whiteboard animation.

MY CONTRIBUTION
- Concept and copywriting
- Illustration
- Animation and motion graphics

I was commissioned to create an animation for the trailer promoting the Nespresso Talents Vertical Film Festival. The brief was to create an imaginative, otherworldly cityscape viewed from a rising perspective, evoking the sensation of ascending through a futuristic city in a glass elevator.

I illustrated the environment in Adobe Illustrator, then brought the artwork into After Effects as layered elements. By animating the layers at different speeds, I created a parallax effect that gave the cityscape depth, movement and the illusion of travelling upwards through the scene.

The result was a vibrant, immersive visual that combined illustration and motion design to bring the concept to life.

MY CONTRIBUTION
- Creative development
- Illustration and visual design
- Animation and compositing

I worked on the UK launch of Halo Top, helping bring the brand to life through design and animation. I also created social media content for the brand over the following year. The campaign went on to win a Drum Award in the social media category.

MY CONTRIBUTION
- Creative development at concept stage
- Art direction during shoots
- Stop-motion animation
- Post-production and final delivery

I was asked to produce a set of illustrations and animations for an upcoming Volvo event. The animations were to feature in a VR experience, telling the story of a small boy whose carelessness with litter ends up costing the ocean.

I produced these illustrations and then animated them frame by frame in Photoshop. The exports were supplied to the agency for integration with the 360° VR footage for the event.

MY CONTRIBUTION
- Illustration
- Animation

I was asked to create these simple motion graphic pieces to introduce a set of whitepapers published by UBS.

MY CONTRIBUTION
- Illustration
- Motion graphics

The Undead Monster Club is an NFT project with 8,888 unique monster NFTs on the Ethereum blockchain. I created all of the branding and design for the project, as well as all of the art for the NFTs.

MY CONTRIBUTION
- Concepts
- Art direction
- Copywriting
- Illustration
- Motion graphics
- Sound editing

I shot these stop frame face paint pieces for Snazaroo’s social media channels. I also created the illustrations and animations for the end frames and did all of the post production.

MY CONTRIBUTION
- Photography
- Illustration
- Animation

I created a sizzle film for the Warburtons education programme, Bake The Most Of Life. Raw footage was provided which i edited and graded, as well as producing all the effects, motion graphics and audio editing.

MY CONTRIBUTION
- Video editing and grading
- Motion graphics
- Sound editing

I was Creative Lead for the agency that ran the social media campaign for IMAX during the release of ‘Avatar: The Way Of Water’.

As well as oversight of my teams work, I produced a number of static and video assets, editing together supplied footage, editing audio, and creating motion graphics for supers and end frames in After Effects.

MY CONTRIBUTION
- Art direction
- Editing
- Motion graphics
- Sound editing

I produced these pieces for Tails.com, a tailor-made dog food company. These were my own concepts based on a brief, which I then storyboarded, shot, and did all the post production for. The dogs in the first video were pets of the staff there are Tails.

MY CONTRIBUTION
- concept and art direction
- stop motion animation
- video editing
- motion graphics
- photography and retouching

Urban Jungle provide flexible contents insurance designed for renters.

I animated the logo for use across social media, app and website, as well as TVC.

I also created a set of social media assets based on their new TVC - two different edits, both in 3 aspect ratios.

MY CONTRIBUTION
- Logo animation
- Video editing
- Audio editing
- Motion graphics

I was Creative Lead for the agency that ran the social media campaign for the release of Disney’s ‘The Little Mermaid’.

As well as oversight of my teams work, I produced a number of static and video assets, editing together supplied footage, editing audio, and creating motion graphics for supers and end frames in After Effects.

MY CONTRIBUTION
- Art direction
- Editing
- Motion graphics
- Sound editing

I was asked to produce these Christmas pieces for Tetley’s social media channels. The only assets available were the standard illustrations of the tea folk (see below) so I created everything in Photoshop, using stock images where possible, and animated the scenes in AfterEffects.

MY CONTRIBUTION
- Concept and art direction
- Illustration
- Animation
- Sound editing